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About Getting Started with Maya Unlimited

About hair simulation

About Live

About the Getting Started lessons

Adding a fluid emitter to a container

Adding a preview plane to an ocean

Adding color to Density and Temperature

Adding color to particles with a color ramp

Adding dynamic attributes

Adding fluid to a container

Adding fur shadowing attributes to lights

Adding joints to a skeleton

Adding per particle attributes

Adding polygons to a mesh

Adding self shadowing to texture density

Adding target objects to an existing blend shape

Additional learning resources

Additional sculpting techniques

Adjusting the accuracy of nCloth collisions

Adjusting the velocity of moving particles

Animating an IK system

Animating an object along a motion path

Animating camera moves

Animation.html

Applying a texture map to a polygon mesh

Applying IK to a skeleton hierarchy

Applying parent constraints on an IK system

Assigning a fur description preset to a model

Assigning a Paint Effects brush to the hair

Assigning a shading material

Assigning objects to a reference layer

Assigning textures

Assigning_a_fur_description.html

Autodesk Maya Links

Basic sculpting techniques

Batch rendering a sequence of animation frames

Blending keyframe and motion path animation

Bridging between edges

Changing an active rigid body to passive

Changing the behavior of a fluid

Changing the position of clips with Trax

Changing the timing of an attribute

Changing the timing of an object along a motion path

Changing which nCloth points are constrained

Character_Setup.html

Cluster_and_blend_shape_deformers.html

Colliding a fluid with an object

Combining colors in a fluid

Components

Components_and_attributes.html

Conditional_expressions.html

Constraining an IK system

Constraining an nCloth to a passive object

Controlling attributes in two objects

Controlling_particle_attributes.html

Conventions used in the lessons

Converting mesh strokes to polygons

Creasing and hardening edges on a mesh

Creating a 3D container

Creating a 3D fluid container

Creating a blend shape

Creating a cluster deformer on a target object

Creating a conditional expression

Creating a control object for an IK system

Creating a cracker box model

Creating a crease in a subdivision surface

Creating a Distance constraint

Creating a new fur description

Creating a new scene

Creating a Plane constraint

Creating a polygon primitive

Creating a profile curve

Creating a project

Creating a revolve surface

Creating a Shelf button for a MEL command

Creating a skeleton hierarchy

Creating a subdivision surface

Creating a surface to paint on

Creating a target object for a blend shape

Creating a texture within the Hypershade editor

Creating a two-dimensional fluid container

Creating a user interface slider using a MEL script

Creating additional cameras in a scene

Creating additional Plane constraints

Creating an emitter

Creating an nCloth object

Creating an ocean plane and shader

Creating clips from motion capture data

Creating clips with Trax

Creating expressions to control a single attribute

Creating hair on a surface

Creating hinge constraints

Creating joints

Creating lights in a scene

Creating particle objects

Creating profile curves for a surface

Creating shading materials for objects

Creating volume axis fields

Creating_a_basic_hairstyle.html

Creating_a_dynamic_2D_fluid_effect.html

Creating_a_dynamic_3D_effect.html

Creating_a_dynamic_non-hair_simulation.html

Creating_a_non-dynamic_3D_fluid_effect.html

Creating_a_simple_expression.html

Creating_an_ocean_effect.html

Creating_manipulating_and_viewing_objects.html

Defining shader attributes for a fluid

Deleting construction history

Deleting extra keyframes and static channels

Deleting polygon faces

Deleting tracking data

Directional lights

Downloading Maya MEL scripts

Drawing a polygon

Duplicating curves

Duplicating objects

Duplicating objects across an axis of symmetry

Dynamics.html

Editing a revolve surface

Editing cluster weights

Editing components in the orthographic views

Editing components in the perspective view

Editing expressions

Editing expressions to refine an animation

Editing light attributes

Editing strokes with tubes attributes

Editing the animation of clips

Evaluating a solved solution

Evaluating the solution with imported geometry

Evaluating the tracking of a point

Exiting Maya

Expressions.html

Extending the length of motion capture data

Extruding polygon components

Extruding polygon faces

Fine tuning an animation

Fixing a problem in an expression

Floating objects

Fluid_Effects.html

Forward and inverse kinematics

Fur.html

Getting Started with Maya

Getting Started with Maya Unlimited

Global_Illumination.html

Grouping objects

Hair.html

Hardware rendering particles

Importing additional tracking data

Importing tracking data

Influence objects

Installing Maya

Installing Maya Unlimited

Introduction

Inverse_kinematics.html

Keyframes_and_the_Graph_Editor.html

LearningResources

Lesson setup

Lights_shadows_and_cameras.html

Limiting the range of motion of an IK system

Linking multiple attributes on the same object

Live.html

Lofting a surface

Lofting_curves_to_create_a_surface.html

Making an nCloth collide with its environment

Making nCloth flap in dynamic wind

Making the hair collide with another object

Mapping UV texture coordinates

Mirror copying a mesh

Model symmetry

Modeling in shaded mode

Modifying a bump texture

Modifying a converted polygonal mesh

Modifying a primitive object

Modifying hair attributes

Modifying ocean attributes

Modifying runtime expressions

Modifying skin weights

Modifying surface specularity

Modifying the canvas

Modifying the color of a fur description

Modifying the colors of a preset brush

Modifying the default brush settings

Modifying the fur direction

nCloth.html

Nonlinear_animation_with_Trax.html

NURBS_Modeling.html

Open the first scene for the lesson

Open the scene for the lesson

Open the second scene for the lesson

Other conditional statement options

Overview.html

Overview__Using_the_Maya_Help.html

Overviewapj.html

Paint Effects on 3D objects

Painting a bump map texture

Painting Fuel and Density into a container

Painting fur attributes

Painting on objects

Painting strokes

Painting symmetrical strokes

Painting Temperature values into a container

Painting with a Paint Effects brush

Painting with an Artisan brush

Painting.html

Painting_in_2D_using_Paint_Effects.html

Painting_in_3D_using_Paint_Effects.html

Painting_textures_on_surfaces.html

Parenting a model into a skeleton hierarchy

Particles_emitters_and_fields.html

Path_animation.html

Pivot points

Planning an animation for an IK system

Polygon_Texturing.html

Polygonal_Modeling.html

Posing and animating using forward kinematics

Posing and animating using inverse kinematics

Preparing a surface for sculpting

Preparing for painting

Preparing for the lesson

Preparing for the lessons

Preparing to solve

Previewing a smoothed mesh

Primitive objects

Redirecting the motion within a clip

Refining deformation effects

Refining shading materials for objects

Refining surface components

Registering a solution

Renaming surfaces on a model

Render the scene using caustics

Render the scene using Global Illumination

Render the scene using raytracing

Rendering a single frame using IPR

Rendering Paint Effects strokes

Rendering the curtain scene

Rendering the hair

Rendering the scene

Rendering using the Maya software renderer

Rendering.html

Rendering_a_scene.html

Rendering_fur.html

Restoring default user settings

Reusing clips within Trax

Reversing surface normals

Revolving_a_curve_to_create_a_surface.html

Rigid_bodies_and_constraints.html

Rotating an object along a motion path

Running a dynamics simulation

Save your work

Saving brush settings for future use

Saving your work

Scaling clips within Trax

Sculpting a mouth

Sculpting a nose

Sculpting eye sockets

Sculpting eyebrows

Sculpting other facial features

Sculpting_a_NURBS_surface.html

Selecting components by painting

Selecting edge loops

Selection modes and masks

Set_Driven_Key.html

Setting keyframes

Setting modeling preferences

Setting the particle render type

Setting the playback range

Setting up constraints

Setting up hair collisions

Setting up shadowing on hair

Setting up the curtain scene

Shading_surfaces.html

Shadows

Simplifying expressions

Simplifying the display of a hierarchy

Skeletons_and_kinematics.html

Skin weighting and deformations

Smearing and blurring

Smearing, blurring, and erasing paint

Smooth binding a skeleton

Smooth_skinning.html

Soloing and muting tracks

Solving the shot

Solving_with_survey_data.html

Splitting a surface in polygon proxy mode

Splitting polygon faces

Spotlights

Starting Maya

Styling the hair

Subdivision surface levels

Subdivision_Surfaces.html

Surface materials

Template display

Terminating edge loops

Texturing the contents of a fluid container

The Toolbox: Layout shortcuts

The Toolbox: Transformation tools

The_Maya_user_interface.html

Track_and_solve.html

Tracking additional points

Tracking object points in a shot

Tracking preparation

Understanding hierarchies

Using 2D reference images

Using additional preset brushes

Using creation expressions to set a constant color

Using else statements

Using expressions to control multiple attributes

Using Flood All to apply a single color

Using MEL commands

Using Playblast to playback an animation

Using runtime expressions

Using Set Driven Key to link attributes

Using the Graph Editor

Using the Hypershade editor

Using the lesson files

Using the Outliner to parent objects

Using turbulence with brush stroke tubes

Viewing a sequence of rendered frames

Viewing hierarchies using the Hypergraph

Viewing objects in shaded mode

Viewing the results in the Graph Editor

Viewing UVs in the UV Texture Editor

Viewing_the_Maya_3D_scene.html

Workflow overview

Working with UVs in the UV Texture Editor

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